I conduct exploratory fieldwork, surveying both the physical world and my imagined version of the space between perception and presence—an interstitial field where observation meets quantum uncertainty. My process seeks to capture the moment when the waveforms of what we think we see collapse into the particles of what actually surrounds us, revealing the hidden structures of energy and matter that underpin perception itself. In this space, light becomes both subject and instrument, bending through time and consciousness to expose the delicate tension between the measurable and the felt, the empirical and the imagined.

The resulting works emerge as visual evidence of this collapse—photographic and sculptural studies that trace the energetic residue of perception in decline. They reflect the cognitive fatigue induced by our digital ecosystem, where constant visual stimulation erodes attention and distorts the boundaries between authentic seeing and mediated experience. Through these works, I attempt to reassert the act of looking as a form of resistance: a recalibration of awareness that reconnects the viewer to the physical, the temporal, and the ever‑present forces shaping reality.